tokina 16 28 nikon

我是用D600，當初是在Tokina 17-35 F4和16-28 F2.8徘徊，但最後還是16-28勝出。 因為17-35雖然可以上保護鏡，但是82mm的口徑買起來其實和16-28差不多價錢了。 況且16-28光圈比較大，在室內其實會比較好用而且更容易營造景深的效果。 a quickr pickr post 2013-03-01 1:05 #6 0 引言 我要留言 秋水小弟 177分 7樓 4132ricky wrote: 我是用D600，當初 (恕刪) 其實未必喔! 雖然我是用MARUMI DHG. 加起來的錢. 剛好是17-35F4地的錢. 其實要看你如何跟店家議價! 當然如果要用B+W那就沒話說. 不過.. Obiektyw o ogniskowej 16-28 mm. Po zastosowaniu w lustrzankach z matrycą APS-C kąt widzenia będzie odpowiadał ogniskowym około 25-45. Pole widzenia w aparatach z matrycą pełnoklatkową wynosi zależnie od ogniskowej 107-88stopni. Minimalny dystans ogniskowania wynosi 28 cm, a skala odwzorowania obrazu 1:5.26. Descrição Especificações A superfície ótica são totalmente revestida com Multi-Coated (MC) que aumenta a transmissão de luz, não perde definição de imagem e evita flare. A proteção raios ultra-violeta (UV) absorve quase toda a gama de raios permitindo imagens mais claras e menos Loja Assistência Inspired by the focal length and aperture of the widely acknowledged Tokina AT-X 16-28mm F2.8 PRO FX lens, Tokina opera 16-28mm F2.8 FF has been developed with the same concept as the recently released opera 50mm F1.4 FF, to offer the photographers another contemporary tool for professional photography. Scoprite la vendita esclusiva di TOKINA - ATX-I 11-16mm f/2.8 CF (NIKON - F) NIKON a solo CHF 375.- invece di CHF 569.-! Fino a 70% di sconto * Tariffa locale; 0848 maximum magnification is 1:11.6.The wide-angle lens of the Tokina brand is also equipped with a focal length of 11 to 16 mm and a filter diameter of 77 mm. The lens has This Tokina lens is the first in a new generation of full frame (FX) lenses designed for professional digital SLR cameras like the Canon EOS 5D Mark II and the Nikon D700 and D3x. The 16-28 zoom range givesthe professional photographer a super-wide angle of view to get close to subject for dramatic effect or to take in entire scenes. Vay Tienonline Me. Código 1639Marca Opinião dos Consumidores0Calcule o valor e prazo do freteDescriçãoEspecificaçõesDescriçõesDescrição PrincipalDistância focal 16-28 mm Abertura máxima F/ Abertura mínima F/22 Tipo EF Ângulo de visão 107-76 Distância focal mínima 27,94 cm Elementos 15 Grupos 13 Lâminas 9 Dimensões aprox. 89,9 mm x 133,4 mm Diâmetro x Comprimento Peso aprox. 950 g Principal specifications Lens type Zoom lens Max Format size 35mm FF Focal length 16–28 mm Image stabilization No Lens mount Canon EF, Nikon F FX Aperture Maximum aperture Minimum aperture F22 Aperture ring No Optics Elements 15 Groups 13 Special elements / coatings 3 aspherical elements 3 SD glass elements Focus Minimum focus m Maximum magnification Autofocus Yes Motor type Micromotor Full time manual Unknown Focus method Internal Focus notes One-Touch Focus Clutch mechanism Distance scale Yes DoF scale No Physical Weight 950 g lb Diameter 90 mm Length 133 mm Zoom method Rotary internal Filter notes Filters cannot be attached to this lens Hood supplied Yes Hood product code Built-in Tripod collar No Other Have you spotted an error? Report it... Please use the form below to report the error. Tokina 16-28mm f/ Image SamplesNIKON D800E + 16-28mm f/ 28mm, ISO 100, 4/10, f/ D800E + 16-28mm f/ 28mm, ISO 800, 1/10, f/ D800E + 16-28mm f/ 16mm, ISO 200, 1/160, f/ D800E + 16-28mm f/ 16mm, ISO 200, 1/125, f/ D800E + 16-28mm f/ 17mm, ISO 200, 1/125, f/ D800E + 16-28mm f/ 18mm, ISO 200, 1/250, f/ D5500 + 16-28mm f/ 20mm, ISO 100, 1/640, f/ D5500 + 16-28mm f/ 16mm, ISO 100, 1/30, f/ Images Copyright © Photography Life, All Rights Reserved. Copying or reproduction is not permitted without written permission from the author. Add this product to your shortlist for comparison Gear list 166 29 56 I own it I want it I had it Manufacturer description This new Tokina lens is the first in a new generation of full frame FX lenses designed for professional digital SLR cameras like the Canon EOS 5D Mark II and the Nikon D700 and D3x. The 16-28 zoom range gives the professional photographer a super-wide angle of view to get close to subject for dramatic effect or to take in entire scenes. Lens type Zoom lens Focal length 16–28 mm Image stab. No Lens mount Canon EF, Nikon F FX Max aperture Min aperture F22 Min focus m Max magnification Weight 950 g lb Length 133 mm See full specifications em12x 668 reais con 01 centavos em12x 384 reais con 47 centavos Usadoem10x 349 reais con 90 centavos sem jurosUsadoem10x 239 reais con 90 centavos sem jurosUsadoem12x 191 reais con 29 centavos Usadoem12x 768 reais con 84 centavos Disponível 7 dias após sua compraem10x 856 reais con 90 centavos sem jurosem10x 916 reais con 60 centavos sem jurosem10x 907 reais con 07 centavos sem jurosem12x 667 reais con 34 centavos Disponível 5 dias após sua compraem12x 855 reais con 34 centavos em12x 782 reais con 49 centavos em12x 855 reais con 34 centavos em12x 179 reais con 36 centavos Usadoem12x 290 reais con 75 centavos Usadoem12x 519 reais con 03 centavos Usadoem12x 336 reais con 41 centavos Usadoem12x 227 reais con 37 centavos Usadoem10x 237 reais con 80 centavos sem jurosUsadoem12x 222 reais con 41 centavos UsadoO frete grátis está sujeito ao peso, preço e distância do envio. Tokina Opera 16-28mm f/ Review This Tokina Opera 16-28mm f/ $699 at Adorama, B&H and Amazon lens review is by Christophe Anagnostopoulos, Global Ambassador of Tokina & Hoya, Website Vimeo Facebook IMDB *Please note that at the time of writing this review, Adobe hasn’t released a lens profile for Tokina Opera 16-28mm F/ It is early March and along with the arrival of spring, the Milky Way season for 2019 just started and the timing couldn’t be better for the release of the new Tokina Opera 16-28mm lens, an ultra wide-angle Full Frame lens with a constant F/ aperture over its entire focal length range. Tokina had always a superb reputation among photographers not only for the exceptional build quality of its products but also for the magnificent wide angle lenses it produced, and the new Tokina Opera 16-28mm F/ is continuing this tradition with its excellent performance and quality. The new Tokina Opera 16-28mm F/ is the second lens in the premium Opera series lineup for high-end DSLR users, following the first Opera 50mm F/ lens which was released a few months ago, and this wide angle lens is coming at a very competitive price for Nikon F and Canon EF mounts. Build Quality & Exterior Design The lens is made in Japan and it’s built with the highest quality standards and materials. The new beautiful and modern looking matte black design, first introduced with Opera 50mm F/ lens, provides partial weather sealing to protect the inside quality glass from moisture. As expected from a high-quality lens, the mount is made of metal and it also has a rubber ring to prevent dust penetration. For landscape photographers, dust penetration into elements can result in image quality loss so it is important to stay clean when for example the photographer change lenses. The rear element of Tokina Opera 16-28mm is moving in and out when it is zoomed, but the design doesn’t leave any gap in the rear for the dust to enter the lens optics. The zoom ring is located near the base of the lens while the focus ring is near the front. Both rings have a very smooth feeling in operation. Tokina in the Opera series has matched the rotation direction of the focus ring according to the Nikon/Canon’s original ones to avoid confusion to the photographer. The package includes a big lens cap, which protects the front element from scratches, and it attaches firmly onto the lens with two 2 clips on both sides, so you don’t have to worry if it drops accidentally. In overall the lens gives you a solid feeling, that it can handle weather conditions with ease, while having a very premium appearance at the same time. Lens Handling & Usage The physical length of the lens remains constant although the inner lens tube moves a little, and to be more specific, at 16mm the front element is fully forward while at 28mm is retracted. The front element does not rotate, as the lens features an internal focusing mechanism, and it is protected well by the built-in petal shaped lens hood. The wide coverage of 16-28mm makes this lens a perfect choice to be used on full-frame FX cameras, although it also provides a pretty good coverage on cropped sensors cameras DX as well, with an equivalent field of view of approximately 24-42mm. However, due to its size and weight, the lens, in my opinion, is better balancing on pro DSLR bodies comparing on using this lens on smaller cameras which might not be very practical due to its dimensions and front-weight design. The wide focal coverage on FX along with the constant F/ bright aperture makes this lens very versatile and a great choice as it can be used on various photography genres very easily, such as astrophotography/timelapse, landscape, architectural and travel photography. Autofocus The lens features a new SD silent drive AF Module and is coupled with an also new GMR Magnetic AF Sensor, resulting in quick and silent focusing. In case you want to focus manually, the lens features Tokina’s exclusive One-Touch Focus Clutch mechanism so the photographer simply pushes the focus ring backward in order to engage manual focus. When the focus ring is set in AF, rotating it has no effect so its not able to override focus setting. In MF the focusing ring can be set beyond infinity mark, and from the tests I made so far the proper infinity point is set directly in the middle like shown below. Specifically for astrophotography this is very convenient in use, as even if the focus ring is accidentally moved, you can easily return it to the correct focus without having to check the live view. Although for this type of lenses the autofocus speed is not so important, from my tests so far on the Nikon D850, the autofocus in its operation was fast while also reliable and accurate, although a small noise can be heard sometimes. According to the included manual, this is the sound of the ball bearings that are designed to smooth the movement of the focus ring. Of course this is not indicating a problem with the general functioning of the lens nor its too distracting in its use. The Minimum Focusing Distance is just and getting so close to the subject in addition to the Angle of View of 107o can create some really interesting angles and compositions! Optical Design The lens features a complex optical design with 15 elements in 13 groups, including the newly created large Aspherical P-MO element and Super-Low Dispersion Glass Elements, which are eliminating chromatic and spherical distortions, as also reducing any ghosting and flaring. This design allows optimal resolution even with the aperture wide open, with very good color accuracy and high contrast. Technical Specifications Mount Type Nikon F also available for Canon EF Focal Length Range 16-28mm Compatible Formats FX,DX Maximum Aperture f/ Minimum Aperture f/22 Angle of View FX-format Elements 15 Groups 13 Diaphragm Blades 9 SD Glass Elements 3 Aspherical Elements 3 FilterSize N/A ImageStabilization N/A Autofocus Yes FocusMode AF/MF Minimum Focus Distance Length Diameter WeightApprox. 940g Flaring As a general rule we could say that when a lens design is more prone to flare high number of elements, no coating, etc, will have as a result poor saturation in the produced images. This is the reason that the flaring behavior of an ultra wide-angle lens is very important because it will also have an impact in total contrast and color rendition. Thanks to Tokina’s new coating technologies, the Opera 16-28mm F/ performs very good when shooting against very bright sources of light. In the majority of the photos I took with the Sun in the frame for this review, there are some signs of flaring and ghosting when closing aperture starting from F/ which for sure are not ruining the whole image and in some cases are easy to remove in post. F/ F/4 F/ F/8 F/11 F/16 Color Rendering Color rendering on Tokina Opera 16-28mm F/ lens is excellent, as the lens delivers great natural colors with saturated blue skies. Color rendering is also bound to Contrast and the lens contrast performance is also very good, as it captures accurately the boundaries of areas with different luminance levels. Nikon D850 – Opera 16-28mm 24mm – f/8, 1/320, ISO 64 Nikon D850 – Opera 16-28mm 16mm – f/8, 1/320, ISO 64 Sharpness In terms of sharpness, the Tokina Opera 16-28mm F/ performance is very good in overall. The lens delivers very good results in the center at f/ and it’s decent in the corners as it is a little soft, but from f/4 sharpness in corners improves drastically and it reaches its optimal performance at f/8. F/ F/4 F/ F/8 F/11 F/16 Chromatic Aberration Chromatic aberrations, or fringing, are those green and purple color halos around areas of difficult high contrast transitions. In the case of Tokina Opera 16-28mm Chromatic aberrations are well controlled in general, with the lens having around 2 pixels or less of CA at all focal lengths and apertures, which can be easily removed in post without issues like shown below. Nikon D850 – Opera 16-28mm 16mm – f/ 1/125, ISO 64 100% Crop – Original, unedited image 100% Crop – Edited image, chromatic aberration removed Please note that even though at the time of writing this review there wasn’t a lens profile for Adobe Camera Raw/Lightroom, the software removed 100% the small fringing with a simple click as shown below. Comatic Aberration Coma Coma is an optical aberration that afflicts off-axis light and it is caused by the curvature of the principal planes of the optical system. Coma becomes apparent when the light rays from the source enter the lens at an indirect angle causing the image to be off axis. The result is a comatic spot in shape, having a bright central core with a triangular flare extending toward the optical axis of the lens. In Tokina Opera 16-28mm F/ lens it can be seen in minor values near the edges of the frame when wide open at f/ and it renders invisible from f/4. Milky Way Galaxy Core over Antiparos Island with high humidity Nikon D850 – Opera 16-28mm 16mm – f/ 30sec, ISO 4000, Slik ECH-630 Star Tracker 16mm F/ 16mm F/4 Zodiacal Light and Andromeda Galaxy M31 after the rain Nikon D850 – Opera 16-28mm 16mm – f/ 10sec, ISO 6400 Vignetting There is a moderate amount of light fall-off towards the borders at F/ which can be corrected on post. Stopping down reduces the amount of vignetting, and from f/4 isn’t visible. Still for most subjects this is not an issue, however as already said, it can be easily fixed in Photoshop/Lightroom. Light Fall-Off from F/ to F/5 F/ F/ F/ F/4 F/ F/5 Bokeh The lens has a nine 9 blades aperture and in theory can create a good looking bokeh, but due to their nature, these type of lenses are not meant to be used for subject isolation, except if you get very close to your subject. So bokeh is rarely visible, still when it does, it is round and good looking. Distortion The rectilinear design is eliminating barrel distortion so the lens is distortion free and lines are appearing straight. Still, keep in mind to consider the perspective distortion that may occur with ultra wide angle lenses. Conclusion In overall, a very good all-around ultra wide angle lens for full frame cameras, bright enough with its constant F/ aperture to be used on low light photography, a very usable focal range for use on various photography genres and with very good optical performance even wide open. Most importantly, at a very competitive price. More Images with Tokina Opera 16-28mm F/ Christophe Anagnostopoulos, Global Ambassador of Tokina & Hoya, is an international award-winning filmmaker and professional time-lapse photographer, based in Greece. Website Vimeo Facebook IMDB The Tokina Opera 16-28mm f/ lens is priced at $699, check availability at Adorama, B&H and Amazon

tokina 16 28 nikon